Author: yonghokim

Yesterday someone online introduced me to Girl’s Day, a K-pop girl group. I was sick in bed with fever, and after watching hours of Hyeri in street events and interviews in YouTube, I decided I also wanted to get the Girl’s Day emoticons sold at KakaoTalk for $3, just like the person who introduced me was using. So far, a happy consumer wasting their money exactly as intended inside the system.

KakaoTalk opened a Google Play Store payment popup, and said that I didn’t have a valid payment method. I figured it was because my Credit Card had recently renewed, so I went to the computer and re-entered my credit card information. It still says I do not have a payment method. I took a closer look, and realized that it had opened my workplace Google Apps account for payment. I have three Google accounts linked to my phone – my personal gmail, work gmail, and gmail that belongs to my employer as an organization.

I have $3.50 in credits in my personal gmail account (from Google Surveys), so I am pretty intent on switching this to my personal account. I fiddled with the settings inside the popup, but there was absolutely no way to switch your account. I then went to KakaoTalk settings to see if anything was linked to my work account. Nope.  In fact, it was linked here and there with my personal account.

KakaoTalk was installed from the Play Store as I was linked to my personal account. My personal account was also the first google account I set up on my phone upon getting the phone, as is customary with Android.  (Last I checked, which was around Eclair, some functions near the OS layer become hard coded with the first Google account that you sync with your phone, so you need to take special care in the order of accounts synced.) There is nothing that would hint my Kakao app to use the work account – it just decided to grab it, randomly, on its own. Once it grabs the wrong account, it does not allow the user to change it, effectively locking the user out of their original payments environment. (Usually their personal account) This is a sure way to discourage payments. Well, I did. KakaoTalk, I’m trying to give you money for virtual goods. The cash is right here. 왜 줘도 먹지를 못하니?

I am aware that there are some cognitively and developmentally challenged programmers and their managers in Korea, who seriously don’t give a damn about anything they produce except carding their timesheet every day. After all, Korea is an advanced industrial nation with a superior education system focused on math and engineering that has developed a number of technological marvels such as T Max Window and  human stem cell cloning. That’s cool, it’s working as intended. But KakaoTalk is a company whose main product is an internet messenger application. Their first job is to create a product that can take well on the role of sending messages. Their second job is to make money. How many paid customers is KakaoTalk losing every minute because no one in their entire corporate decision making chain, from the coders to the PMs to QAs to execs, figured that dual Google account users issue could become a problem for making payments? Does KakaoTalk’s board know about this? Also, the fact that Kakao doesn’t grab the default account, but rather a random one, hints at the fact that this may be a pseudo intentional decision. Who made this smart decision?

Google Apps is not a small phenomenon in the United States.  According to Wikipedia, 5 million companies and organizations use Google Apps, including 60% of Fortune 500 companies. A growing number of state universities in the U.S. have adopted Google Apps for Education, meaning there’s a sizable chunk of college students on them. 90% of these users are likely to sync both their personal and work accounts on their smartphones. Do you hear what I am hearing? It’s the sound of millions of virtual coins falling to the ground because KakaoTalk is too dumb to care about, you guessed it, making money. 참 자알~한다.

Everyone knows the Trump racist. The loud mouthed one who clearly hates on certain groups of people. Do you know the Bush racist? Very nice, smiling folk, who treats everyone equally. Obviously not a racist. Until it comes to policy. Affirmative Action? Reparations? Programs to empower people of color? Nah man, everyone is equal so why give people of color special treatment? Color blind racism – that’s Bush racism.

While I enjoyed CGP Grey’s video and the Hello Internet podcast and found it amazing that someone from the U.S. was a proponent of a proportional representation electoral system, I found the occasional encounters with race uncomfortable. The first was when Grey and Brady mentioned Serial. Grey said, “it’s a show about a high school student who was murdered”. Now I understand you may not try to promote competing products too much, but Serial’s most prominent feature is not that a high school student was killed. That’s pretty dull by U.S. standards. Serial is a relevant social commentary because it happens in black majority city in uneasy arrangement with incoming immigrants, including Arab Americans and a minority Asian population. The school was almost entirely black, and the Pakistani student and the Korean student were dating. The Korean student was killed, and the jury blamed the ex-boyfriend. Some even cited muslim traditions, even though the student’s religious practice was near nil.

All that was summed up as “a student murder”.

Anyway. Then came Guns, Germs and Steel. I majored in Anthropology in college, and never came across GGS in the curriculum but knew it was a famous book. I actually have it, and I was still in the process of reading it when the episode came up.

Related Discussion on Reddit

As Grey argues, there’s a lot of people arguing over details. But the fundamental problem is that there’s tons of people in the world who think Europeans amassed their wealth because they lived in a cold region and had to rely on hard work, and people of color did not have this because they lived in warm environments were food was plentiful. It’s a pretty stupid argument, but for most people who don’t care about the issue this is good enough and that’s why they are sticking with it. The world is like 40% people who don’t care, 15% people who believe in shit like this and think people of color are inferior, 40% people who don’t really care but have heard of these theories and generally think them to be true, and 5% people who are beyond this environmental determinism. Just because you are surrounded by people who are beyond environmental determinism, it does not mean that the majority of the world is still dominated by this incorrect theory.

The problem with GGS is that it gave fresh, relatively easy to read ammunition to environmental determinism. People who talked about the weather to justify the inferiority of blacks and asians now can sharpen the theory and cite way more variables. It doesn’t matter what the author’s intentions was. This is why it is an otherwise boring anthro book became a bestseller.

Why do people not focus on this argument and instead go for pointing out the details? Because a lot of people in the U.S. learn to systematically criticize racism in academia. In college, pointing out racism outright is an ideological argument – it’s considered a low effort argument. To make a proper argument, explain the details – because those can be debated in a meaningful way that builds up knowledge. Just arguing over racism without the facts is generally not welcome in academia.

So the people did this proxy battle over racism through facts, and Grey is overwhelmed. But the racism argument was clear enough, that Brady and Grey for the first time in over 50 episodes finally uttered the word “race” in their podcast. For the first time!

Then Brady quickly diluted this explosive word by poking fun at Australian nationalistic pride. Seriously? You spend 2 podcast hours to finally bring up race, then laugh it over a cricket game?

I do enjoy Grey’s functionalist approach to processes and the dynamic duo that Brady and Grey make up, but his encounter with GGS are bringing up aspects of their world view that I wish I hadn’t known about. Now that I do, every time they get close to the subject I just wish I was able to feed into the discussion, but I am frustrated that 99.9% of the podcast’s fan base completely agree with them on this.

So there.

I run my church’s youtube video channel, where we upload sermons, choir singing, special events, seminars, and full length footage of every sunday’s worship. 80% of the worship footage triggers copyright claims, and it’s invariably either the opening band portion involving singing, acoustic guitar, bass, violin and synthesizer, or the two gospel songs from the hymnal that the entire congregation sings. Strangely, the Church Choir performances never get flagged.

I just let them sit there because there were real copyright infringements that this youtube channel had made before, such as including four 3-minute clips from an actual movie (“La Vita e Bella”, “Jesus Hospital”) into the sermon video, because that sermon was a sermon themed on a movie and how a theme is shown through a movie. Those infringements have brought down our channel before – it didn’t delete the account, but prohibited 15min+ videos from being uploaded. Our christmass special performances include recorded music, and they also trigger these warnings.

The copyright claim notices (the ones mentioned in the first paragraph, not second) do make me nervous. Why are they there and if we accumulate enough of these, would they trigger account suspension or something significant of that order?

One day, I saw Mozart’s Sonata in D Major (we have had musical festivals organized by our church before) was flagged as copyright infringement on YouTube. And I was like.. hey man, I know you like to file copyright complaints, but this is Mozart. And he’s DEAD. Not Disney-dead, but Mozart-dead. That shit’s in the public domain. The claim was filed by “One or more music publishing rights collecting societies”. Whatever. So I filed a dispute stating “Mozart died in 1791, which has been over 300 years ago, and copyright only holds for 70 years after the creator’s death” and some more, and I won. The claim disappeared.

I was encouraged by this, and filed disputes for all of the full length footages. I won all the disputes.

I was like, wow you have been filing these claims just to make money? Seriously? On church channels? (Yes I understand the process is automated via Content ID.. I hope)

Until one day, one of my disputes was denied.

I don’t know if there are negative consequences to losing a dispute, so I stopped filing them. It’s still unclear to me whether uploading footage of the congregation singing a gospel from the hymnal is a copyright infringement.

So I googled this today, and found stuff like this. “Church” and “copyright” evoke topics such as Can music leads make copies of a scoresheet? Can they perform? Can a movie be viewed during an event? Who owns the copyright over the bible? Etc. I haven’t seen the “If I uploaded a video footage of the church worship including hymnal gospel singing, is that a copyright infringement?” question addressed. The credibility of these sites also strikes me as an issue. These are not the kinds of sites I have seen in the past. Do they contain real information? I understand churches in general are a niche topic in the world of internet.

So I’m still sitting with the questions “Is singing an hymnal gospel at church an infringement?” “Is uploading a video footage of this act an infringement?” “Who are these pesky copyright claimants and why are they even claiming Mozart?”

The latest episode of Hello Internet: Hawk & Mouse brings up the fact that there are individuals out there who just go around making copyright claims on any video that is going viral so that if the video maker doesn’t respond in time, the claimant will take the ad profit of the video claimed until a dispute is settled.. or forever if the video maker forgets or doesn’t realize that there was a claim. And since there is zero negative impact on claimants who lose a dispute, they just go making claims and stealing the ad revenue from others.. just by filing copyright claims *that they do not have at all*. All. The. Time. The Mozart claimant may belong to the aforementioned variety.

http://mynewsla.com/government/2016/02/17/la-labor-groups-submit-affordable-housing-measure/